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4
SWELL: A Writing Method to Help English Language Learners
Adeline Teo
Collaborative writing has been a trend in composition research
and pedagogy since the 1970s. Collaborative writing encourages
social interaction among writers through activities such as peer
response (Ferris and Hedgcock 1998). The social interaction and
dialogue with others are considered crucial by social interactionist
theorists, such as Vygotsky (2000), who states that learning involves
the internalization of social interaction processes, which helps
the learner progress from complex to conceptual thinking.
In collaborative writing students are encouraged to brainstorm
ideas in pairs or groups, to give each other feedback, and to
proofread and edit each other’s writing. However, although
increasing numbers of classroom teachers have begun to encourage
students to write in collaboration, Topping (2001) points out
that many find it frustrating to implement the practice because
the collaborative writing models available to them lack structured
guidelines for students to follow.
Researchers have pointed to other problems associated with collaborative
writing in the English language classroom. For example, although
collaborative writing increases interaction among students, Lew
(1999) and Scarcella (2003) found that the process did not significantly
improve students’ writing because they often lacked the
skills to critique each other’s writing. Peregoy and Boyle
(2001) emphasized that students in peer response groups need explicit
guidelines on what kinds of things to say and how to say them
if they are to benefit group members.
In response to the need for structured guidelines to make collaborative
writing more effective, Topping (2001) developed a clearly defined,
structured and replicable system for peer-assisted learning that
he called the Paired Writing method. Studies of the method on
students whose first language is English showed positive results
(Sutherland and Topping 1999, Nixon and Topping 2001, Topping
2001, Yarrow and Topping 2001). Thus, I decided to implement this
method in my English as a second language (ESL) class at a public
elementary school in California, where non-native English language
learners receive daily intensive instruction to develop their
second language literacy in English. Subject matter is taught
entirely in English and is organized to promote second language
acquisition while teaching cognitively demanding, grade-appropriate
material.
When I implemented Topping’s method in my class, I trained
my students to carefully follow the suggested steps as they wrote,
and, as Topping suggests, I paired up the students according to
their English proficiency levels. During the writing process,
students with higher writing levels were assigned the role of
Helper, and those with lower writing skills were assigned
the role of Writer. I videotaped the students so I could
review their interactions and cognitive writing processes after
each writing lesson.
I anticipated that after a semester of practicing Topping’s
method, which included structured guidance, my students would
have higher motivation to write and would show improvement in
their writing skills. What I found, however, was that they felt
frustrated by the method and showed little interest in following
Topping’s flowchart. In fact, many of the students spent
their time chatting instead of using the provided guidelines.
Frustrated by the disappointing results, I spent hours reviewing
the videotapes and reflecting on the method. Eventually I realized
that, although Topping’s model was effective in helping
students whose first language was English, it was not effective
for my students. Since most of them were novice writers, they
found the directions for each step of the process vague, insufficient,
and confusing. The method confused them more than it helped them
to write. In addition, by leaving the student to evaluate their
own written products, I had done more harm than good for the students.
I decided to revise Topping’s method to better meet my students’
needs. I call the modified method SWELL, which stands
for Social-interactive Writing for English Language Learners.
I will describe the SWELL method and the procedures used
to implement it.
Topping’s Paired Writing method
As indicated earlier, in Topping’s Paired Writing method
writers are paired prior to the writing activities. The student
who is at a higher writing level plays the role of a Helper,
and the student who is at a lower writing level is a Writer.
Specific tasks need to be done by the Helper and the Writer when
they write collaboratively. These steps are briefly described
below:
Step 1: Idea generation
In the first step, the Helper stimulates ideas by raising a one-word
question with the writer, such as Who? Eight other one-word
stimulus words are listed under a section called “Questions”
that includes a blank option to indicate that Helpers can ask
their own questions. Topping’s model also features a “What
Next?” loop that includes three suggested conjunction questions
(And? If? But?) for the Helper to use. Before moving
on to Step 2, the pair reviews their notes to determine if the
order or organization should be changed.
Step 2: Drafting
The Writer dictates sentence by sentence what he or she wants
to communicate in each sentence, choosing among five levels of
support from the Helper for the writing itself. These levels of
support, called stages, can range from Stage 1, in which
the Helper writes everything—with the Writer merely copying
what the Helper has written—to Stage 5, in which the Writer
does all the writing. The pair may apply a stage to the entire
writing session or to just a small part of it, and the pair may
go back one or more stages if they encounter difficulty. For example,
if the Writer struggles with a word for more than 10 seconds,
the Helper can go back from Stage 5, in which the Writer writes
everything, to an earlier stage, in which the Helper identifies
a difficult vocabulary word or helps the Writer spell it. There
is great emphasis on keeping going. As confidence grows, the Helper’s
support can be reduced.
Step 3: Reading
The Helper reads the completed draft out loud while both members
of the pair look at the text together. This activity gives the
Writer the opportunity to become the audience without the burden
of having to read. The Writer then follows the example of the
Helper and reads aloud. If the Writer reads a word incorrectly
the Helper provides any needed support.
Step 4: Editing
Helper and Writer look at the draft together and consider what
improvements might be necessary in any of the four editing levels:
(1) meaning, (2) order, (3) spelling, (4) punctuation. Meaning
is the most important indicator of the need for improvement; punctuation
is the least important one. After offering some words of praise
for the Writer’s efforts, the Helper marks any problem areas
the Writer may have missed. The Writer can then make additional
suggestions for changes. They discuss the best corrections to
make and modify the text accordingly.
Step 5: Best copy
The Writer copies out a neat or best version of the corrected
draft and turns it in to the teacher. It represents a joint product
of the pair.
Step 6: Evaluate
Using the editing criteria levels in this final step, the pair
inspect and evaluate their best copy. The Helper should make more
positive evaluative comments than non-positive ones; the latter
should be expressed with sensitivity. Evaluation is carried out
initially by the authoring pair and subsequently by another pair
in a process of peer assessment, using the four criteria given
in Step 4.
SWELL method modifications
As indicated earlier, strictly following the steps in Topping’s
Paired Writing method did not yield satisfactory results in my
ESL class. I decided to revise that method to make it better fit
the students’ linguistic and instructional needs. I call
my modifications the SWELL method. The SWELL modifications are
described below.
Modification #1: Use students’ linguistic and cultural
knowledge in L1
The effects of Topping’s Paired Writing method were examined
only in classrooms where the majority of students were from a
mainstream, middle-class background (Sutherland and Topping 1999;
Nixon and Topping 2001; Yarrow and Topping 2001). In this context,
the outcomes were positive. As noted above, however, in the context
of the ESL program where I taught, the Paired Writing method did
not work very effectively. This suggests, as some researchers
(Gutierrez 1992; Reyes 1992; Lucas and Katz 1995) believe, that
it is not the underlying ideology of peer response or collaborative
writing that is responsible for problems, but rather the way such
activities are implemented in non-mainstream classrooms.
Specifically, the activities need to meet the social and cultural
needs of students from diverse cultural and linguistic backgrounds.
Dyson and Freedman (1991) stressed the importance of considering
such needs in writing activities for English language students,
noting that their educational requirements differ distinctively
from those of native speakers of English. Lucas and Katz (1995)
emphasized that teachers should ensure that the students’
native languages have a place in the classroom even though the
design of the program and teachers’ limited linguistic resources
suggest an English-only learning environment. They stated that
teachers should be receptive to their students’ use of their
native language, particularly to serve instructional purposes,
and the native language should be used as a tool to establish
rapport with students. In this way students will not only feel
comfortable using their native language to work together or exchange
social information but will also feel that their native language
is respected in their classroom.
Some of the additional instructional modifications Lucas and Katz
(1995) suggest for meeting linguistic needs of English students
include pairing less fluent with more fluent students of the same
language during classroom instruction. This enables the less fluent
student to better understand instructions. Lucas and Katz also
suggested that teachers encourage students to use bilingual dictionaries
when there is no one to translate for them.
Adopting the ideas of Gutierrez (1992), Reyes (1992), and Lucas
and Katz (1995), I modified Topping’s Paired Writing method
by allowing my students to use their L1 for discussion activities
during each step of SWELL and encouraged them to use bilingual
dictionaries for translation purposes.
Modification #2: Provide timely, explicit, and direct intervention
In Topping’s Paired Writing method, students evaluate each
other’s writing in the final step and are expected to proofread
and edit each other’s writing on their own without the teacher’s
intervention. I strongly believe, however, that this step needs
to be modified when used in an ESL setting. My belief is supported
by researchers in the field of second language learning. For example,
Susser (1994) says that an essential component in writing pedagogy
is timely intervention by the teacher so that students can generate
ideas for better content or correct grammatical errors at the
appropriate time during the writing process.
Scarcella (2003) also recommends a balanced approach with respect
to teacher intervention in English language classrooms. She points
out that many teachers have the misconception that learners can
effortlessly pick up English by simply communicating in some fashion
in the language. She warns against the danger of overemphasizing
so-called “meaningful” communication and using it
to replace teaching specific aspects of language, labeling the
misplaced emphasis “educational deception” (Scarcella
2003, 6). English language learners’ knowledge of English
grammar, she stresses, does not emerge simply through exposure
to English input; it requires explicit instruction.
Lew (1999) argues that it is a disservice to allow students learning
English to write without the close supervision of teachers, pointing
out that students who do not speak standard English have little
confidence that their friends can help them with grammar or usage.
When Lew was implementing the process writing approach in her
classroom, she imparted her knowledge directly to the students.
Doing so, she says, helped her realize that students in her class
not only showed more fluency in their writing but also looked
more closely at their own work. One participant in Lew’s
case study said she appreciated her teacher’s direct corrective
feedback and explicit instruction, commenting: “Newcomers
have a hard time trying to learn the grammar structures…
the only thing the teacher could do is constantly remind them
and correct them and try to be more strict at it” (Lew 1999,
175). Lew concluded that close supervision of students’
language use—via the red-pen and other methods—in
a caring and language-rich environment is crucial in helping them
achieve proficiency in English.
In Topping’s Paired Writing method, the last step (Evaluate)
requires the pair to inspect and evaluate their best copy using
editing criteria levels given in Step 4 (Editing). The students
are expected to do this on their own without teacher intervention.
However, because of the students’ linguistic needs in L2
writing, I decided to employ the balanced approach that Scarcella
(2003) proposed by providing the writers with direct instruction.
Instead of having other pairs evaluate the written products of
their peers, I met with the students to give them explicit instruction
and corrective feedback. Afterward, the paired students were required
to review my feedback together. I had therefore changed the last
step of Topping’s method to Teacher Evaluate under my SWELL
method (see Appendix). Specifically, I changed Topping’s
procedure to “teacher comments on meaning, order, style,
spelling, and punctuation.” Doing so allowed the students
to receive corrective feedback on their written products directly
from the teacher.
Other modifications
Other SWELL modifications to Topping’s method are as follows:
- Where Topping uses single-word questions (e.g., Who? Do?
What?) to generate ideas, SWELL uses complete structured
and directive questions beginning with wh- words, such
as “Who did what to whom?” This modification helps
learners generate ideas for their writing and provides the temporary
support, or “scaffolding,” that Peregoy and Boyle
(2001) believe is necessary to permit learners to participate
in a complex process before they are able to do so unassisted.
Once proficiency is achieved, the scaffold no longer is needed
and may be dropped.
- Topping’s Paired Writing method has the students
choose among five stages of support for writing on their own
during Step 2 (Drafting). SWELL has the teacher choose
the appropriate stage for the pair. This modification is based
on my belief that most English language learners are novice
writers, still struggling with L2, and might not be able to
choose for themselves an appropriate stage. Teachers are thus
encouraged to play an active role in their students’ writing
process by choosing a stage for each pair based on the teachers’
understanding of their students’ writing levels. An additional
advantage of having the teacher choose a stage for each pair
is that the students can focus solely on the writing task without
having to worry about whether they chose the appropriate stage.
- Topping’s method has the Helper in Step 3 serve as
a reading model for the less proficient peer. To help novice
writers, SWELL has the Writer read the draft with as much expression
and attention to punctuation as possible, while both the Helper
and the Writer look at the text together. This gives the Writer
the opportunity to see if the writing is clear to the audience.
- In Topping’s Paired Writing method, the words meaning,
order, spelling, and punctuation, which are the editing
criteria, are listed in the box in Step 4 (Editing) as a reference
for the students as they edit their own and their peer’s
writing. However, since English language learners’ proficiency
in English is limited, SWELL provides four complete questions
incorporating these terms to help the students better understand
their meaning.
- SWELL adds the editing criterion style to the four
described above. Style is defined as “the clarity of sentences,”
which includes making appropriate word choices and using correct
sentence structure. Style was added to help students ensure
that their sentences are clearly written in their final draft.
To conclude, modifications made to the Paired Writing method
include taking into consideration the students’ linguistic
needs in L2 writing by:
- allowing the students to use their mother tongue for oral
discussion;
- adopting a balanced approach that focuses on writing fluency
and explicit instruction in mechanics;
- simplifying the steps of the writing process by making them
more concrete to the students;
- providing teacher intervention in the final step of the writing
process as one way to increase interaction with the students
at a crucial stage in the process.
SWELL method procedures
The following describes in detail the procedures that teachers
of English language learners can use to implement SWELL in their
classrooms.
Step 1: Ideas
To help students understand important components such as character,
setting, problem, and solution in narrative writing, SWELL provides
complete questions, most of which begin with wh- words.
They are:
- Who did what?
- Who did what to whom?
- What happened?
- Where did it happen?
- When did it happen?
- Who are the important people (main characters) in the story?
- Why did he/she/they do that?
- What was the problem?
- How did he/she/they solve the problem?
- What happened next?
- Then what?
- Did anyone learn anything at the end? What was it?
- (Ask any other questions you can think of.)
To help Writers stimulate ideas, their Helpers raise the questions
stated above in any order that seems appropriate, or the Helpers
can put forth their own questions. As Writers respond verbally
to the questions, they jot down key words and are encouraged to
add any relevant information they might want to write about.
The pairs then review the Writer’s key words to establish
some kind of rough order or organization for the writing. This
could be indicated by numbering the ideas or, perhaps, by observing
that they fall into obvious categories. Such categories could
be color-coded, with the ideas belonging to them underlined or
highlighted with a marker. Pairs may also choose to draw lines
linking related ideas, thereby constructing a “semantic
map.” They could also organize ideas using word webs, clustering,
and mind maps.
Step 2: Draft
With their amended and reorganized idea notes clearly in sight,
and after the pairs receive instruction from the teacher on what
they are expected to do in the stage the teacher chose for them,
the Writer begins writing.
In this step, the teacher emphasizes that Writers do not have
to worry much about spelling as they write their first draft.
Rather, the stress should be on allowing ideas to flow. In determining
the writing stage for the pair, the teacher should remain flexible,
relying on the students’ writing development and process
(or lack thereof) to guide them. It may be necessary for the pair
to go back one or more stages if they encounter a particularly
difficult problem. (See the Appendix for the five stages.)
Step 3: Read
The Writer reads the writing aloud. If a word is read incorrectly,
the Helper provides support if able to do so.
Step 4: Edit
Helper and Writer look at the draft together, and consider what
improvements might be made. Problem words, phrases, or sentences
could be marked. The Writer and Helper inspect the draft more
than once, checking the following five SWELL editing criteria:
- meaning
- order (organization of the separate ideas in the
text, organization within a phrase or sentence, and organization
of the order of sentences)
- spelling
- punctuation
- style (word choice and sentence structure)
While editing, the Writer and Helper consider the following questions:
- Does the Helper understand what the Writer wants to say?
(idea and meaning)
- Does the writing have a clear beginning, middle, and end?
(order)
- Are the words and sentences correct? (style)
- Are the words spelled correctly?
- Is the punctuation correct and in the right place?
The order of each question shows its relative importance in writing.
With the questions in mind, the Helper marks areas the Writer
has missed; the Helper can also suggest other changes. The symbol
<— —> used in the Edit step
indicates that it is an interactional process between Writer and
Helper. The pair discuss and agree on the best correction to make
and revise the writing (preferably the Writer does the revision).
They use a dictionary to check spelling.
Step 5: Best Copy
The Writer copies out a readable “best” version of
the corrected draft and turns it in to the teacher. The Helper
may help if necessary, depending on the skill of the Writer. Sutherland
and Topping (1999) point out that the physical act of writing
is the least important step in the Paired Writing method, so it
does not matter who does it. The important thing is the quality
of thinking and communication in the process. Because the best
copy represents a joint product of the pair, both students should
have their names on it.
Step 6: Teacher Evaluate
In this final step, the teacher meets with the pair and, based
on what she or he observes in the product they turned in, provides
explicit instruction in writing and grammar or provides other
corrective feedback associated with the five editing criteria
of Step 4. The pair then review the teacher’s comments together.
Conclusion
I implemented the SWELL modifications to Topping’s Paired
Writing method to determine if SWELL would increase the proficiency
and confidence of the writers in my ESL class. By taking into
consideration the students’ linguistic needs, providing
for explicit teacher instruction, and taking a balanced approach
that focused on fluency and writing mechanics, as well as clarification
of the steps in the Topping model, I found that it did. In addition
to improving their writing skills, the students enjoyed using
the SWELL method and actively participated in discussion with
their partners while writing. Moreover, because the students were
allowed to use their first language in their interactions, I found
them more involved in in-depth discussion and better able to generate
higher-level ideas. By relying more on each other and less on
their teacher, they also became more independent thinkers and
learners.
References
Dyson, A. H., and S. W. Freedman. 1991. Critical challenges
for research on writing and
literacy: 1990–1995. Technical Report No. 1-B, Center
for the Study of Writing.
University of California at Berkeley and Carnegie Mellon University.
Ferris, D., and J. S. Hedgcock. 1998. Teaching ESL composition:
Purpose, process, and
practice. Mahwah, NJ: Lawrence Erlbaum Associates.
Gutierrez, K. D. 1992. A comparison of instructional contexts
in writing process classrooms with
Latino children. Education and Urban Society 24 (2):
244–62.
Lew, A. 1999. Writing correctness and the second-language students.
In Inside city schools, ed.
S. Freedman et al., 165–78. New York: Teachers College Press.
Lucas, T., and A. Katz. 1995. Reframing the debate: The roles
of native languages in
English-only programs for language minority students. TESOL
Quarterly 28: 537–54.
Nixon, J. G., and K. J. Topping. 2001. Emergent writing: The
impact of structured peer
interaction. Educational Psychology 21 (1): 41–58.
Peregoy, S. F., and O. F. Boyle. 2001. Reading, writing,
and learning in ESL: A resource book
for K-12 teachers. New York: Longman.
Reyes, M. de la Luz. 1992. Challenging venerable assumptions:
Literacy instruction for
linguistically different students. Harvard Educational Review
62 (4): 427–46.
Scarcella, R. 2003. Balancing approaches to English language
instruction. In Accelerating
academic English: A focus on the English learner, ed. R.
Scarcella, 159–73. Oakland:
University of California.
Susser, B. 1994. Process approaches in ESL/EFL writing instruction.
Journal of Second
Language Writing 3 (1): 31–47.
Sutherland, J. A., and K. Topping. 1999. Collaborative creative
writing in eight-year-olds:
Comparing cross-ability fixed role and same-ability reciprocal
role pairing. Journal of
Research in Reading 22 (2): 154–79.
Topping, K. 2001. Paired collaborative writing. www.scre.ac.uk/rie/n167/n167topping.html.
Vygotsky, L. S. 2000. Thought and language. Trans. and
ed. A. Kozulin. Cambridge, MA: MIT
Press.
Yarrow, F., and K. J. Topping. 2001. Collaborative writing: The
effects of metacognitive
prompting and structured peer interaction. British Journal
of Educational Psychology 71:
261–82.
Adeline Teo is an Assistant Professor at Chung
Shan Medical University, Taiwan, where she teaches writing and
research methodology. This article is based on a research project
she conducted when she taught ESL at a public elementary school
in California.
Appendix: The SWELL Method Flowchart
Based on Topping’s “Paired Writing” method:
http://www.scre.ac.uk/rie/nl67/nl67topping.html
H = Helper, W = Writer
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H asks W Questions: |
Who did what?
Who did what to whom?
What happened?
Where did it happen?
When did it happen?
Who are the important people (main characters) in the
story?
Why did he/she/they do that?
What was the problem?
How did he/she/they solve the problem?
What happened next?
Then what?
Did anyone learn anything at the end? What was it?
(Ask any questions you can think of.)
|
W answers and takes notes. W can add things that are
not in H’s questions.
|
Then both H & W read the notes. Are ideas in proper
places? Make changes if needed.
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|
Teacher will give and explain to you ONE of the following
jobs.
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STAGE 1
H writes it all
W copies it all
|
STAGE 2
H writes hard words for W
|
STAGE 3
H writes hard words in rough, W copies in
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STAGE 4
H says how to spell hard words
|
|
Use your notes. Begin writing. DON’T WORRY about
spelling.
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Step 3: READ |
W reads drafts out loud and makes it sound good! H corrects
words read wrong if he/she can.
|
|
H and W both look at Draft.
W asks himself/herself:
1. Does H understand what I want to say in my writing?
(meaning)
2. Does my writing have a clear beginning, middle, and
end? (order)
3. Do I use all the words and write all the sentences
correctly? (style)
4. Do I spell all the words correctly?
5. Do I put all the punctuation (, . ? ! “…”)
in the right places?
H asks himself/herself:
1. Do I understand what W wants to say in his/her writing?
(meaning)
2. Does the writing have a clear beginning, middle, and
end? (order)
3. Does W use all the words and write all the sentences
correctly? (style)
4. Does W spell all the words correctly?
5. Does W put all the punctuation (, . ? ! “…”)
in the right places?
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W makes changes <— —>
H suggests changes.
Use dictionary when necessary.
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W copies “best” writing from Step 4. H may
help if necessary. Write both H and Ws’ names on
paper. Turn in the completed copy to teacher.
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Teacher comments on meaning, order, style, spelling,
and punctuation.
H and W read teacher’s comments together, then discuss
and make corrections.
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