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31 > Number 3
Writing:
Reflection and Research May Increase Teacher Understanding
Alipio Barra
Most EFL courses, especially those aiming at the average teenage student
attending a state school, establish what the learner will be able to
do by the end of a learning cycle as far as the writing skills are concerned.
Needless to say, the expected performance has varied in form, content,
and purpose, according to the approach. “Students in English-language
classrooms no longer do the same kind of writing activities that they
did 25 years ago” (Raimes 1987). The rapid methodological changes have
brought about some confusion, as teachers have not had time to fully
internalize them. But what, to my mind, has unsettled teachers, the
education system, parents, and employers the most is the poor quality
of the students’ achievement when compared with the objectives.
Feel free to brainstorm “the writing problem.” You will end up with
a variety of worries: spelling mistakes, poor punctuation, repetition
of lexical and structural items, interference of the mother tongue,
lack of stylistic features, little knowledge about the topic, unimaginative
content, poor paragraph organization, incoherence, slack cohesiveness,
unawareness of basic rhetorical categories, difficulty in separating
facts from opinion, difficulty in expressing meaning, etc.
Deepening reflection
1. How have teachers reacted to the problem? I think
we can outline three types of attitudes and strategies:
Negative Reactions: ignoring, grumbling, punishing students,
keeping to old routines, shouldering all the blame, giving up.
The teacher uses her authority to tell the students they must comply
with models and rules. A weaker personality may lead to self-flogging
methods. The abdicated type tells herself to give up thinking about
the issue and elects the (lazy!) student as the culprit.
Positive Reactions: giving vent to worries by talking to colleagues,
seeking information by going to seminars or reading, borrowing from
others.
We do not know whether the teacher is eager to change routines, but
she has definitely found out that a fruitful course is to meet other
people. This gesture is both confronting and cathartic.
Interactive Reactions: reflecting on experience, carrying out
simple classroom research, interacting with the problem.
The teacher, most probably after some sort of positive reaction, decides
to question her strategies and techniques. “I need to understand why
my students make these mistakes” or “What will happen if I change this
variable? Let me try!” or “If I do it this way, X will happen.” Unfortunately,
this interactive approach is often seriously hampered by institutional,
professional, and psychological constraints.
2. What has been suggested? Our worries percolated into
the T(E)FL profession, triggering off reactions from teachers, researchers,
linguists, EFL methodologists, psychologists, and materials writers.
For example, the English Teaching Forum alone has published about a
hundred articles related to writing in the past 10 years.
Integrating writing with the other skills, the process of writing,
more group work, more collaborative work among peers, project work,
exploring reading (to make the learner aware of the writer’s skills),
exposure to good writing-these are some of the approaches that have
brought about positive change. In “Why Write? From Purpose to Pedagogy”
(English Teaching Forum, October 1987) Ann Raimes reflects on changes
in the last 30 years, starting with two questions: Why do we ask our
students to write? and Why do students of a second language need to
write in that language?
3. Why hasn’t the key to the writing problem been found yet?
Dissatisfaction has not faded away. It seems to me that (a) the focus
has been laid on training the teachers by adding to their “technology”;
(b) by and large, teachers need strategies to raise their awareness
of what may cause success or failure in their pupils’ writing; they
need self-esteem and confidence.
Teachers expect researchers to find solutions and give precise instructions
for using the new findings. But, as David Nunan (1989) has remarked,
the former do not seem to trust the latter and academics criticise teachers
“for the superficiality of classroom applications of research findings.”
The gap is real. The large number of variables in the teaching-learning
process makes it so difficult to replicate research that conclusions
cannot be easily validated. “In spite of such infinite diversity [of
variables] there exists the universal fact that human beings of all
ages, attitudes, levels of intelligence, socioeconomic background, etc.,
succeed in acquiring L2s in a wide variety of both naturalistic and
formal settings” (Seliger 1984). The ability to write is part of that
acquisition, isn’t it?
4. Is there a way to solve the writing problem? Research
has proved that there is not a tailor-made panacea to be found. However,
we cannot sit back, relax, and wait for top-bottom moves. It is high
time classroom teachers launched initiatives that may raise their awareness
of the problem. They are the ones who plan the lessons, carry out activities,
face problems, and look for solutions.
But teachers need tools for development, which can start either by
learning theories (language acquisition, for example) or by reflecting
on one’s own practice. Mary Finocchiaro (1988) wrote that “teachers
should grow throughout their lifetime in (1) the awareness of their
own strengths and perhaps weaknesses; (2) more positive attitudes toward
themselves, their students, their colleagues, . . . ; (3) their deeper
knowledge of the social and personality factors of their students that
can influence learning . . .; (4) the enhancement of skills. . . .”
She did not comment on the order of the four parameters, but I think
they highlight knowledge of self and students over knowledge of the
subject matter; they also imply that, in order to develop, the teacher
cannot rely on training alone. At best, training can facilitate.
Reflection and research to raise understanding
Next I will try and design what I think is a feasible scheme to carry
out simple classroom research projects whose aim is to understand the
students’ feelings and problems in the area of writing. It draws a lot
on a reflective approach the purpose of which is to fully exploit something
teachers generate naturally every day in their professional lives: experience.
How can teachers take advantage of what they have for free? Here are
some steps to start with.
1. DEFINE THE WRITING PROBLEM THAT CONCERNS YOU
a. Is it something you would like to understand better? Do you want
to find a solution? Or do you have a more ambitious objective in mind-for
example, an experiment?
b. Check the genuineness of the problem by submitting it to all the
kinds of criticism that you can think of. Jot down all the answers you
get.
c. Meet your colleagues and tell them about the problem. Their comments
may help you clarify it or add relevance to it.
2. SCRUTINIZE YOUR EXPERIENCE
a. Start somewhere; you do not need to scan all the years you have
been teaching.
b. Are there any theories that have influenced the way you have dealt
with the writing skill? Are there any EFL writers who have influenced
you?
c. What are your favourite classroom writing activities? Are you still
carrying them out the way you first used them? If they have changed
can you describe why and how? How would you describe your students’
feelings towards the writing tasks you give them?
d. Have you found in your practice any strong beliefs about writing-something
you might call your dogmas?
e. How much do you owe to knowledge you acquired when you were doing
your initial training or in-service training? And to what extent has
your experience triggered off new developments? Has any part of this
experience become new knowledge? Would you like to share it?
3. LOOK FOR PATTERNS AND LINKS
Your reflection brought forward a handful of answers scribbled on a
piece of paper or stored in the back of your mind. Now look for patterns
and connections. There might be something-a concept, a procedure, a
warning-you are now happy to uncover! Something you did not have the
faintest idea of, maybe. That’s where your own research project is likely
to commence. But most probably you will end up with statements that
sound so middle-of-the-road that they will fail to stir you up. Well,
do keep your cool!
Let’s look at a few examples of patterns anyone may end up with. (In
square brackets I will enclose suggestions and guidance I might give
each of the teachers to help them reflect on their experience to deepen
their insights.)
Teacher 1. I tend to integrate writing with other skills in as natural
a way as possible, an approach I learned from Donn Byrne. Writing not
only appears naturally to support other skills like reading and listening,
for example, but it also continues what is being done. The pupils seem
to accept writing when it appears naturalisticalIy. [Recall your practice,
find activities with and without integrated skills; study the differences.
How do your students show they like that sort of writing activity?]
Teacher 2. Now I realise I have been a bit more concerned about accuracy.
I tend to give mistakes and errors a lot of attention. That’s why the
one exercise they do almost every day is of the combining-sentences
type, which gives me the chance to correct even the slightest mistake.
I know it is a bit unnatural, but I was very keen on this exercise when
I was a student myself. [Do your pupils enjoy it as much as you did?
Study the sentences you give them to combine. Can you make your favourite
format communicative?]
Teacher 3. In the past I used to give my students very abstract topics
and little help. The result was below my expectations. Now I prefer
topics that are more down-to-earth, and I always provide them with simple
schemes, plans, or outlines. I am sure that the more they get, the better
they will write. [You established two causal relationships between tasks
and results. Exemplify both. See whether there are any other possible
explanations.]
4. PLAN YOUR ACTION, NOW!
a. Let’s take it for granted that the reflection period was both substantive
(it provided insights of practical importance) and stimulating (it aroused
your interest; you cannot stop now!).
b. In planning what you will do, you will have to be ready to exploit
two roles: (1) participant-observer when you are fully involved in the
activities; observation will be more difficult and data will be more
subjective; (2) non-participant observer: those stages of the lesson
when you just see if everyone is complying. Observation is easier; you
may even take notes. Unfortunately, you will be less involved.
In spite of their drawbacks, “both participant and non-participant
observation have many positive qualities to recommend them as research
methodologies” (Larsen-Freeman and Long 1991).
c. Try and define a course of action. You want to understand your pupils’
writing problems. Maybe you hope you will be able to bring about change
in their attitudes towards writing. Although you are unlikely to start
with hypotheses to be tested, that is not out of the question. If you
want to confirm or disconfirm something, do not be too vague or ambitious.
You may even try a more experimental approach if you use a control
group -where you keep to the ways the students are familiar with-and
an experimental group treated differently. For example:
Same class, Day 1-plan the activity without changing the usual procedure.
Gather information. Day 2-(the next day or week) plan a very similar
activity changing a variable. Collect data; compare.
Same day, class divided in control group and experimental group-plan
the lesson with two different procedures, one for each group; collect
information; compare.
Different classes: control group (class 1)-carry out the usual procedure;
collect data. Experimental group (class 2)-modify procedure; collect
data; compare.
You must always be aware of the way other variables may interfere with
the results.
d. Your research is expected to suit your students and your teaching
style. Beware of its effects on your state of mind. Everything new is
risky and causes anxiety. So plan carefully, to be able to include this
new aspect in your daily schedule.
e. Ways of stating the object of research. Examples:
1. My students will write more. This is rather vague. What do you mean?
More texts? More often? Longer texts? More types of text? Or several
of the above combined?
2. My students will be given more information and preparation before
they start writing a new text. This is a more objective purpose, but
it may need a stronger effort to make it even more specific. What’s
that you call information? And preparation? Does it imply a causal relationship
between preparation and better writing?
3. If the students get more preparation (information and simple outlines),
they will certainly write better texts. Now you have put forward a hypothesis
to be proved: if you prepare your students carefully, the outcomes will
be better.
We are not saying that proposition 3 is more correct than 1 or 2, but
it has more advantages. By making it more specific you can see if it
is feasible and to what extent you will have to change your previous
routine.
5. DO
a. Do things as you had planned: Decide on the duration of the experiment.
b. Observe, gather information. Right now you do not know what may
be more relevant. Take notes (or audio/video record). Observation schedules
can make data easier to record and retrieve.
c. To gather information use all the techniques you know of and find
reasonable, which will depend on, for example, the activity, the object
of research, your role, the lapse between the observation and the note-taking.
6. DATA ANALYSIS
a. Study all the information. What have you found out? Can you draw
any conclusions? Do you still have the conjectures you had at the outset?
Compare with all the notes and answers when you started your reflection
(1 to 3 above).
b. Do you have to resume experimentation or do you think you can stop
here? Do you understand your students better? Have you confirmed any
initial hypotheses, if you had any? Can you establish any connection
between two factors? What do you know that you did not know?
7. FURTHER STEPS
a. Towards you. The research-oriented work has some effects on the
teacher’s development regardless of the results. If you understand your
students’ writing difficulties better, if your knowledge has increased
or if they are getting on better, your confidence and self-esteem will
rise. If, on the contrary, your findings were inconclusive or, even
worse, if the foreseen changes did not meet your expectations, you will
realise how important it was, anyway. You learned about yourself and
your students; you also acquired skills. Perhaps new paths will open
for you. If your motivation and awareness increase, your students will
be the ultimate beneficiaries, given the shift in perspective their
teacher has undergone.
b. Towards others. Teacher development means sharing with others. So
first, report to your colleagues at school. Show them what pushed you
from the beginning and throughout the whole research period. Your audience
will probably want to respond. So listen to them. This interaction may
fulfill an important role; by highlighting the worth of teacher-initiated
research based on one’s own classroom action and experience, practitioners
realize (a) they have the power to contribute to a greater knowledge
of the issue under analysis; (b) everyone can start their own research;
and (c) the gap between theory and practice can be shortened.
If you have enough time and confidence, the best way to try and spread
the news is to write a brief account of research and send it to a specialty
journal.
Conclusion
Foreign-language teachers often give in to the idea that making their
teenage students better writers is an almost insurmountable problem.
To cope with it, teachers have sought solutions everywhere. Unfortunately,
the problem has not been eradicated. However, new insights can be propelled
by teacher development. So it appears! By reflecting on experience and
by carrying out simple classroom research, the teacher treads a long
but rewarding path. More and more understanding of her students’ feelings
and experience when writing add up to the teacher’s tools to deal with
the problem. This empathic power, when fully integrated with all the
other forms of knowledge the teacher can utilize, may yield more satisfying
results for both teachers and students. The problem is that, once again,
the horizon that seemed just over the next slope is a bit farther, more
out of reach.
APPLYING THE STEPS: AN EXAMPLE OF REFLECTION
The table opposite summarizes an example from my own practice of how
reflection and simple classroom research projects are (or can be) used
to promote a better understanding of students’ [writing] problems and/or
better cognitive processes and/or better outcomes.
I would like to make it clear that only after reading van Lier (1988)
and Nunan (1989) did I become aware, by introspection, of a complex
process that had developed. When I tried to blend and apply their material
and research orientations, part of my previous classroom experience
disclosed that somehow those reflection and research schemes had often
been exploited in an empirical and subconscious way.
The brainstorming technique jutted out as one of the most interesting
and successful in dealing with one of the students’ difficulties. For
that reason, I have often referred to it to demonstrate that any teacher
might have undergone that sort of experience, led by intuition, perception,
instinct-who knows? Then, all they need is some external hint to understand
what they had done to be able, in all likelihood, to embark on “real”
projects and gain new insights into their own classrooms, furthering,
in so doing, more professional development.
1. DEFINING THE WRITING PROBLEM. In the mid-eighties I had the opportunity
to teach high-school students attending the last year and aiming at
higher education. For seven years (about 500 hours) they had learned
English as their first foreign language. After meeting them I gradually
realized they were not fond of writing activities. I had the impression
they were not able to fully use their general knowledge of English,
which they demonstrated in the oral activities. After a few weeks, this
became one of my areas of concern for two reasons: (1) the syllabus
required very specific outcomes in the writing skill; (2) a powerful
external pressure: they would have to sit for a national (written) examination
by the end of the school year. I simply had to do something!
2. SCRUTINIZING EXPERIENCE. I recalled and reviewed (as far as I could)
all the first-term lessons up to that moment in order to make lists
of any classroom activities that involved writing: human interest stories,
descriptions of countries (economic and social issues), paragraphs about
the violation of human rights, homework (student-generated texts to
be read in class: letters, biographical notes), lesson summaries, sentences
(transformation exercises), answers to questions, gap-filling exercises,
note-taking.
I tried to note down everything I could recall.
3. LOOKING FOR PATTERNS AND LINKS. The students had problems in generating
information, organising it cohesively and coherently, in using rhetorical
categories like comparison and contrast, cause and effect, exemplification.
Their oral performance helped hide those problems. Maybe my observation
and analysis had been misled by a lack of awareness and skills to use
reflection. I related their difficulties to what I knew about the prevailing
approaches to writing used by the schoolteachers. That was when I decided
to browse through previous English Teaching Forum issues (before 1985),
hoping to find help. I came across, among other things, an article by
Hugh Leong: “Buzz-Group Activities” (April 1984), which had not caught
my eye when I had first read it a few months before. It gave me some
encouragement to experiment with brainstorming activities.
4/5. PLANNING ACTION AND DOING! I planned two phases:
Phase One-It was to last for a few weeks. The purpose was to get the
students acquainted with brainstormings. So I would have one or two
every lesson, on different topics, using slightly different procedures.
The topic idea would be written up inside a circle and the words they
shouted out would be jotted down randomly outside. They were asked to
copy the words into their notebooks. Sometimes it would be done orally
first, which turned out to be more lively but more demanding on short-term
memory; then, it would be jotted down on the board.
The students would then have one or two minutes to study the data and
find any organization patterns. Usually, the students were able to add
up new ideas while organizing the items under the umbrella words, suggested
either by them or, if necessary, by me.
Then short paragraphs would be made orally and/or in written form,
either in groups, pairs, or individually. At the beginning, these paragraphs
followed a basic format: one introductory sentence with the main idea,
several sentences to develop it, and a conclusion. I think collaborative
work helped them review cognitive strategies and allay fear.
Phase Two-A few weeks later. When the students were used to the technique,
they started using it on their own in pairs or alone.
Meanwhile I had started to modify the initial procedure. For example,
sometimes I provided headings like positive/ negative, cause/effect,
yes/but, and now/then to facilitate analysis. These relationships proved
to be stimulating.
6. ANALYZING DATA. At that time I had read very little about classroom
research. The brainstorming project was carried out in a very intuitive
way. It was of the diachronic (longitudinal) type, because it lasted
for several weeks combined with cross-sectional observations (the tests
and compositions).
According to my plan, the main purpose was to intervene in the learning
process in such a way that the students would write better texts in
the end. Written tests and compositions would also validate the experiment.
I would collect the papers and mark them at home. The students’ performance
was measured against the criteria the syllabus defined. The brainstorming
technique would receive a warm round of applause if-and only if-the
outcomes were good.
The data showed the students improved their potential. They had a tool
that actually helped them elicit information and organize it. It seemed
to give them confidence. These students got very good marks in the national
examination, but there were other variables that could have explained
their success. I remember some of them saying they could use the brainstorming
technique to tackle questions in their geography tests, as well. Actually,
after Phase Two the students knew the worth of the technique and preferred
it to other devices.
The experiment had elicited student behavior that facilitated understanding
of their cognitive strategies and feelings towards writing. The ongoing
observation brought about reflection and contributed to the measurable
outcomes later. Awareness and understanding can only indirectly be measured.
Objective data consolidated their self-esteem and motivation.
7. FURTHER STEPS. Exchanging information with colleagues, listening
to their comments, and giving several workshops on paragraph writing,
followed by the publication of a short paper on writing skills, completed
that reflective cycle.
REFERENCES
Byrne, Donn. 1981. Integrating skills. In Communication in the classroom,
ed. K. Johnson and K. Morrow. London: Longman.
Finocchiaro, Mary. 1988. Teacher development: A continuing process.
English Teaching Forum, 26, 3, pp. 2-5.
Krashen, S. D. 1981. Second language acquisition and learning. Oxford:
Pergamon Press.
Larsen-Freeman, Diane and Michael Long. 1991. An introduction to second
language acquisition research. London: Longman.
Leong, Hugh. 1984. Buzz-group activities. English Teaching Forum, 22,
2, pp. 43-45.
Nunan, David. 1989. Understanding language classrooms. Englewood Cliffs,
N.J.: Prentice-Hall.
Raimes, Ann. 1987. Why write? From purpose to pedagogy. English Teaching
Forum, 25, 4, pp. 35-41.
Seliger, H. 1984. Processing universals in second language acquisition.
In Universals of second language acquisition, ed. F. Eckman, L. Bell
and D. Nelson. Rowley, Mass.: Newbury House.
van Lier, Leo. 1988. The classroom and the language learner. London:
Longman.
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