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Teaching Forum > Volume
31 > Number 3
One Function, Several Ways:
Inviting, Making, and Responding to Suggestions
Premavathy Gurusamy Naidu
This article shows how various structural patterns can
be used to express a single function. A set of activities has been devised
around one function, and an attempt has been made to show the interplay
of several structural patterns for this one function.
The lessons described below were devised for non-TESL
teacher trainees at the teacher-training college in Malaysia, to enable
them to learn to say in English what they want and need to say. When
a lesson is focussed on a particular function, the teacher trainees
will learn that there are several ways to say the same thing. They will
learn, for instance, that there are several ways of making a suggestion,
ranging from formal to informal.
We believe that the primary purpose of our instruction
in English is to help teacher trainees use English fluently and appropriately.
While some classroom time will be devoted to teaching English functionally
and to having the trainees practise certain structural patterns, we
should remember that the purpose of such instruction is simply to help
them gain communicative competence and confidence in using the language.
Activity 1: Problem-solving
Teaching point: Different ways of inviting, making,
rejecting, or approving suggestions.
The purpose of this activity is to encourage the learners
to identify the structural patterns and to analyze their properties
in sentences based on inviting, making, rejecting, or approving suggestions.
One way of getting them to do this is to set up a problem and ask them
to solve it. The problem can be, for example, sentences that manifest
the same function but have different structural patterns; the learners
are required to identify the different structural patterns. The example
below shows how, in solving such problems, the learners become aware
of how grammar works for a particular function.
| WIN-A-HOLIDAY COMPETITION
Angela has won first prize in a Win-a-Holiday competition.
She can go anywhere in the world and can spend up to $15,000.
She is having a problem deciding where to go. Her friend Ahmad
gives her a few suggestions. |
| A. Read the dialogue
Angela: I don't Know where to go, Ahmad.
What do you suggest?
Ahmad: I suggest you go to London. It's a
fantastic place, so modern, so developed...beautiful roads, a
good transport system, great scenery, everything efficient.
Angela: I don't think that appeals to me
very much after living in Penang. I want to get away from traffic
jams and pollution.
Ahmed: What about Indonesia, then? Not Jakarta,
of course, but to the east...say Bali.
Angela: I was thinking of going farther away.
Indonesia is very near, isn't it?
Ahmed: Mmm...well, if you don't like that
idea, another possibility is France, You'd love France...all the
art and culture, old towns, museums. Fashions...
Angela: Well, I do like art, but I don't
want to spend all my time in museums.
Ahmed: Wait a minute, I've got the ideal
place. If I were you, I'd go to the Bahamas. Think of it...the
lovely sandy beaches...the slow moving life...the friendly people.
Angela: Oh, yes...that sounds marvelous.
I think I'll go there. Thanks for all your suggestions.
B. Now identify the sentences that have been used
for "inviting, making, rejecting, and approving suggestions:
in the dialogue above. Then write the appropriate sentences in
the spaces provided.
1. Inviting suggestions:
______________________
2. Making suggestions:
a. _____________________
b. _____________________
c. _____________________
d. _____________________
3. Rejecting suggestions:
a. _____________________
b. _____________________
c. _____________________
4. Approving suggestions:
______________________
|
These are the suggested answers for the task above:
1. What do you suggest?
2. a. I suggest you go to London.
b. What about Indonesia, then?
c. . . . well, if you don’t like that idea, another possibility
is France.
d. If I were you, I’d go to the Bahamas.
3. a. I don’t think that appeals to me. . . .
b. I was thinking of going farther away.
c. Well, I do like art, but I don’t want to spend all
my time in museums.
4. Oh, yes . . . that sounds marvellous.
The activity above shows various ways of inviting and
making suggestions, and of rejecting and approving suggestions. In the
dialogue above, Angela asks for a suggestion by saying, What do
you suggest?
She is asking Ahmad for an idea about a place she could
go to. It is a direct question.
Making suggestions. The dialogue shows several
ways of making suggestions. For example, Ahmad makes the first suggestion
by saying, I suggest you go to London. This is a direct answer
to her question “What do you suggest?” and seems like a command. It
is a definite suggestion, not tentative like the others.
In Ahmad’s second suggestion What about Indonesia,
then? the question asked is very informal, of a sort used between
familiar people. The suggestion put forward is subject to Angela’s approval
or rejection.
Ahmad’s third suggestion shows the learner how to come
up with another suggestion when the previous one has been rejected.
Ahmad does this by saying, Well, if you don’t like that idea, another
possibility is France. This construction shows how to react when
a suggestion has been rejected. In this case, Ahmad reacts positively
by suggesting another possibility.
In the fourth suggestion, Ahmad says, If I were you,
I’d go to the Bahamas. This is more like a piece of advice than
a suggestion. Grammatically, it is a conditional sentence-that is, it
expresses an unreal or hypothetical condition (If I were you . .
.). A sentence that has a hypothetical meaning is usually expressed
by the past tense in the dependent clause (conditional subclause) and
by d (would) + infinitive in the main clause.
(Here the past tense I’d has nothing to do with past time:
the reference is to present or future time.)
Rejecting suggestions. How does Angela reject
Ahmad’s suggestions? She rejects his first suggestion outright, by saying,
I don’t think that appeals to me. . . . This sentence is blunt
and not formally polite. It indicates the speaker’s displeasure with
what has been suggested.
When Angela rejects Ahmad’s second suggestion, she says
I was thinking of going farther away. This is an indirect and polite
way of saying “No” to a suggestion. The progressive aspect indicates
the activity of “thinking” in progress, and therefore suggests not only
that the activity is temporary (i.e., of limited duration) but that
it need not be complete. When linked to a non-progressive event verb,
or to a point of time, the progressive normally indicates that at that
point, the activity denoted by the verb “thinking” is still in progress-that
is, “thinking” has started but has not yet finished. This means that
Angela had been thinking of a place farther away than Indonesia before
Ahmad put forward his suggestion and that the thinking continued after
that time.
In the dialogue, Angela rejects Ahmad’s third suggestion
by saying, Well, I do like art, but I don’t want to spend all my
time in museums. This is another example of a polite way of rejecting
a suggestion. Here, two contrasting ideas have been linked by the coordinating
conjunction but. The use of but makes the meaning more vague and less
emphatic. It is characteristic of speech. The second clause, but
I don’t want to spend all my time in museums, is said with a tinge
of sarcasm. This second clause is surprising or unexpected in contrast
to the first clause, Well, I do like art . . .
Approving suggestions. The dialogue also
shows learners how to approve a suggestion. Angela does it by saying,
Oh, yes . . . that sounds marvellous. This exclamatory remark
expresses Angela’s feelings. She accepts the suggestion wholeheartedly.
It shows her enthusiasm. Furthermore, the adjective marvellous
intensifies the meaning of the sentence and adds emotive emphasis. It
is not only good, but marvellous!
Activity 2: Practice
Teaching Point: Practice in using structural patterns
for the function “making suggestions.”
The aim of this practice activity is to give the learners
rapid practice in using structural patterns for the function of making
suggestions. The chief advantage of this activity is that teachers can
correct any errors that the learners make and can, at the same time,
encourage them to concentrate on difficult elements. The following exercise
gives the learners practice in making, rejecting, and approving suggestions.
This is what the teacher should do: distribute the task-sheets
to the learners and tell them to read them carefully. Here is a sample
sheet:
Task-sheet:
Work in pairs. Look at the menu, and then read the dialogue
below.
| STRAITS VIEW RESTAURANT
Menu
Chili crabs
Crab soup
Chicken curry
Chicken with cashew nuts
Roast chicken
Fried prawns
Prawns in tomato sauce
Sweet and sour fish
Mixed vegetables
Ice cream
Fruit salad |
Dialogue:
A: It’s difficult to choose, isn’t it?
B: Well, why don’t you try chilli crabs? (to suggest)
A: No, I don’t want to eat chilli crabs. (to reject)
B: What about chicken curry followed by prawns in tomato
sauce?
(to suggest)
A: All right. Good. I’ll try that.
(to approve)
Make up dialogues like this about the dishes you would
like to choose from the menu above.
Have the whole class do a drill first. Give the first prompt, sweet
and sour fish, and hold up cards with words like roast chicken/crab
soup as prompts for the trainees to say something like What about roast
chicken followed by crab soup? Continue to give prompts where necessary
until the learners show that they understand the drill and are able
to do it. Then have them continue the exercise in pairs.
In this example at the intermediate level the learners
are practising how to make, reject, and approve suggestions, and they
are given the freedom to use their own ideas about how to express the
functions.
How does structure fit into this activity? For example,
if we study the sample dialogue, we will find two ways of making suggestions,
i.e., Well, why don’t you try chilli crabs? and What about chicken curry
followed by prawns in tomato sauce? Both suggestions have the form of
a question. In the first suggestion, the word Well expresses surprise
and interest. It is what is called an “attention signal.” The question,
Why don’t you try chilli crabs? is expressed informally and casually,
as the speakers are familiar with each other, probably good friends.
The second suggestion, What about chicken curry followed by prawns in
tomato sauce? is spoken more tactfully and shows an element of tentativeness.
It indicates the speaker’s reluctance to commit herself.
Rejection of the first suggestion is accomplished by using
a negative statement: No, I don’t want to eat chilli crabs. Here the
rejection is blunt and doesn’t seem particularly polite.
The approval of the second suggestion (I’ll try that)
is definitely positive and agrees with the suggestion.
When devising practice activities, teachers should make
sure that they are not overused-otherwise boredom sets in. As soon as
the learners show that they can make correct sentences with the new
item, the teacher should move on to more creative activities, such as
information-gap or interaction activities.
Activity 3: Information gap/interaction
Teaching point: Practice in wh- questions.
One of the problems with practice activities is that they
can be monotonous. A way must be found to make controlled practice more
meaningful and enjoyable. One of the ways of doing this is by using
information-gap activities. These are designed so that the learners
work together, exchanging information in a purposeful and interesting
way. The sample exercise shown below gets the learners to practise grammatical
items such as wh- questions in a motivating way for the function of
inviting and making suggestions.
This is what the teacher should do:
1. Write the situation on the board.
2. Distribute Task-Sheets A and B to each pair. Give instructions
to each pair not to look at each other’s dialogue until they have finished
the whole task.
Situation
Work in pairs.
You want to spend the weekend at the beach. You invite your best
friend, and he/she agrees with your suggestion.
Complete the dialogue, making use of the cues given in parentheses. |
| Task-Sheet A
A: (1) ________________?
(make a suggestion)
B: (2) ________________.
________________?
A: (3) ________________?
(make a suggestion)
B: (4) ________________.
________________?
A: (5) ________________?
(make a suggestion)
We can swim and dig for shellfish in the sand.
B: (6) ________________.
________________?
A: (7) ________________?
(make a suggestion)
B: (8) ________________.
________________?
A: Let's go by bus. It's more fun
B: (9) ________________.
|
| Task-Sheet B
A: (1) ________________?
(make a suggestion)
B: (2) I, Well, I don't know.
________________?
(invite suggestion)
A: (3) ________________?
B: (4) ________________?
(accept suggestion)
A: (5) ________________?
________________.
B: (6) ________________.
(accept suggestion)
When do you want to go?
A: (7) ________________?
B: Suits me fine. (8) ______.
________________?
(make a suggestion)
A: ________________.
________________.
B: (9) ________________.
(accept suggestion) |
If you study the task-sheets closely, you will find that
the information that A and B have is slightly different in terms of
functions. For example, A doesn’t know B’s cues and has to ask B, based
on the cues written in his/her dialogue. B doesn’t know A’s cues and
has to respond or ask A questions based on the cues written in his/her
dialogue. A and B must not look at each other’s dialogue until they
have finished, so the only way they have of completing the task is by
asking each other questions such as
A: “What shall we do this weekend?”
to which B will reply and invite suggestions such as
B: “Well, I don’t know. What would you like to do?”
This is an example of an information-gap activity-where
the learners have to ask each other for information to “close the gap”
in the information they each have.
The suggested answers for the dialogue are:
1. Invite suggestion-What shall we do this weekend?
2. Invite suggestion-What would you like to do?
3. Make a suggestion-Why don’t we go out somewhere?
4. Accept suggestion-That’s a good idea.
5. Make a suggestion-What about going to the beach?
6. Accept suggestion-Yes, I’d be delighted.
7. Make a suggestion-How about going on Saturday?
8. Make a suggestion-Shall we go by bus or by taxi?
9. Accept suggestion-All right.
Suggestions are milder than commands, and they have a
way of influencing people. Sometimes, the decision about what to do
lies with the hearer. For example, if we take the first utterance, What
shall we do this weekend? we find that the speaker is also involved
in the suggestion and this is denoted by the word we.
As the response given by B is not positive, he invites
suggestions from A by asking What would you like to do? The response
from A, Why don’t we go out somewhere? is very informal and familiar.
The response, That’s a good idea, shows acceptance of A’s suggestion
made in No. 3. In No. 5 A makes a suggestion, What about going to the
beach? This is similar to No. 3 in function but is expressed by a different
structure. B’s answer, Yes, I’d be delighted has the same intonation
pattern as That’s a good idea in No. 4. A’s question, How about going
on Saturday? is another example of a way to make a suggestion. Here
again, it leaves the decision about what to do to the hearer.
B asks, Shall we go by bus or by taxi? This is a limited
question, which expects as an answer one of the two alternatives mentioned
in the question, Shall we go by bus or by taxi? Notice that the intonation
rises on both the alternatives. The response, Let’s go by bus is a positive
answer, which shows that A has selected to go by bus, and this is confirmed
in No. 9. Generally, the sentence, Let’s go by bus is a first-person
command that begins with Let followed by us (normally abbreviated to
’s).
This activity shows that the function of inviting, making,
and accepting suggestions can have many different linguistic forms.
Since the focus here is on real language use, a variety of structural
patterns are presented together. For example, in the dialogue above
there are two ways of inviting suggestions, that is,
What shall we do this weekend?
What would you like to do?
In the dialogue, there are three different ways of making
suggestions. They are,
Why don’t we go out somewhere?
What about going to the beach?
How about going on Saturday?
Finally, the suggestions are accepted in three different
ways, that is,
That’s a good idea.
Yes, I’d be delighted.
All right.
Thus the learners become aware of the fact that one function
can be expressed in several ways and of the level of formality of each.
In conclusion, I would like to say that the various activities
devised above for the function of “inviting and making suggestions”
have been carefully selected to coincide with the proficiency level
of lower-intermediate non-TESL teacher trainees. It is not envisaged
that the lecturer teaching such a course will stop at these activities.
They are intended simply as samples that can serve as take-off points
for further work.
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