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37 >Number
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Building a Class Library Using Local Folktales
Grace J. Malgwi
The shortage of reading materials in Nigerian schools has contributed
in no small way to the poor standard of English in schools. The lack of
a reading culture among parents also compounds the problem, as most children
come from homes with little or no reading materials. This article describes
a way that learners can produce their own reading materials.
These materials, however, should be seen only as by-products since the
learning that takes place in the process of doing the task is more valuable.
The technique is not entirely new, as a programme based on similar activities
has been tried out in Thailand, Bangladesh, and India (Walker, Rattanavich,
and Oller, 1992).
Classroom procedure
The teacher divides the class into small groups of five or six, depending
upon the size of the class. The teacher should note, however, that the
smaller the group, the more effective the monitoring, since the activities
the learners do require discussions that can become disruptive if the
groups are too large.
Stage 1
The learners tell each other folktales that they know. Teachers should
ensure that the folktales are being told in English and should circulate
in the class to assist with difficult vocabulary. It is not important
if not all members of a group have a tale to tell. Two or three stories
in each group are enough.
Stage 2
At this stage, the learners in each group discuss the stories and decide
which one they would like to write. Then, with the help of the teacher,
learners produce a written draft of their folktales. Each group will write
one story.
Stage 3
This stage requires the guidance of the teacher as the learners work
to produce a clean copy of their stories. The technicalities of story
writing such as paragraphing, using quotation marks for direct speech,
and indenting for direct speech and songs are explained in this stage.
Teachers can avoid lengthy explanations if they show learners storybooks
that include direct speech, pictures, and other relevant layout styles
that students can incorporate in their "books." During this
task learners can add illustrations.
Stage 4
Each group then produces a final copy with relevant drawings added. To
make the end-product more booklike, cardboard can be made into colorful
covers for the stories. Each group can then staple its story together.
The teacher can display the stories and encourage learners to borrow and
read stories written by other groups.
Pedagogic rationale
The activities described here require that learners do more than just
write. Learners must interact and cooperate as they work toward completing
the task. This is important in language learning because the learners
are involved in "comprehending, manipulating, producing, and interacting
in the target language (TL), while their attention is principally focused
on meaning rather than form" (Nunan 1989).
Apart from interacting in the TL, the learners also draw upon their resources
from such areas of language as grammar, vocabulary, speaking, and reading,
and nonlinguistic resources such as drawing and designing. Norman, Levihn,
and Hedenquist (1986) stress the importance of engaging as many senses
as possible in learning activities because such activities stimulate both
hemispheres of the brain, thus resulting in better learning.
Another important factor in the teaching procedure described is the functional
value of the reader. The fact that the learners know that something tangible
is being produced from a learning task serves as a very strong motivating
factor. This supports Pincass (1982) belief that for all levels
of learners, motivation is increased if writing is placed in a realistic
context. Teaching that quotation marks in direct speech are started on
a new line and that the sentence is indented would be boring and very
technical when presented in a grammar lesson. However, within the context
of folktales, where the hare speaks and the lion responds, learning becomes
enjoyable. Finally, having learners work in smalI groups, rather than
having each learner write his/her own folktale, involves students in communication,
thereby enhancing the quality of language being used (Brumfit 1984).
Suggestions
Teachers wishing to use this technique in their classes should decide
which stages to include in a particular lesson. Breaking up the process
into a two-day activity of about one hour each day is quite effective
with elementary school pupils. Stages 1 and 2 can be done in a double
English period of 30 minutes each, while stages 3 and 4 can be done the
following day in another double period.
Whatever type of lesson schedule, teachers can organize the activities
so that learners can easily resume the task.
Conclusion
The present economic hardship facing most developing nations has resulted
in the lack of basic teaching and learning materials; thus, there is a
need for teachers to be more innovative in their teaching and embrace
techniques that will help them make the most of their teaching circumstances.
By doing this activity twice a term, teachers can build up a considerable
number of simple reading books for their classes. Fun and competition
can be added if teachers cooperate and exchange stories with those written
in other classes.
References
Brumfit, C. J. 1984. Theoretical implications of inter-language studies
for language teaching. In Inter-languages: Proceedings of the Seminar
in Honour of Pit Corder. eds. Davies and Criper, Edinburgh University
Press.
Norman, D., U. Levihn, and J. Hedenquist. 1986. Communicative ideas:
An approach with classroom activities. Language Teaching Publications.
Nunan, D. 1989. Designing tasks for the communicative classroom. Cambridge:
Cambridge University Press.
Pincas, A. 1982. Teaching English writing. London: Macmillan Press.
Walker, R., S. Rattanvich, and J. W. Oller. 1992. Teaching all the children
to read. Buckingham: Open University Press.
Grace J. Malgwi is a teacher trainer in TESOL methodology,
English Department, Federal College of Education, Yola, Nigeria.
English Teaching Forum Online Bureau of Educational and Cultural
Affairs
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