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Teaching Forum > Volume
41 > Issue
1
The Blues Musicians
Kent S. Markle
Related articles in this issue: The
Red Hot Blues; Elements of
the Blues; The Blues: Grammar
and Glossary.
The following profiles describe the lives and music of some of
the most influential blues musicians. Their lives were often reflected
in their songs.
Bessie Smith
Bessie Smith was known as the "Empress of the Blues,"
and with her warm vibrato and impassioned delivery, she deserves
this title. Born in Chattanooga, Tennessee in 1894, she grew up
singing gospel music in church. Throughout her career, her famous
blues renditions reflected this powerful musical influence. As the
new industry of recorded music grew in the 1920s, she began recording.
In 1923, her hit song "Down Hearted Blues" sold over two
million records. In 1925, she recorded "Careless Love Blues,"
which featured a young Louis Armstrong on cornet. In this song,
Bessie sings a line and Armstrong answers her with a soulful phrase
from his horn, in the old call-and-response pattern. Bessie Smith
died on Sept. 26, 1937 after a car accident in northern Mississippi.
She had been refused admittance to the first hospital she was taken
to because of her race.
John Lee Hooker
Over his long career, John Lee Hooker brought a unique "boogie"
style to the blues. Born in 1917 in Clarksdale, Mississippi, Hooker's
early influences came from his father, a gospel preacher, and his
stepfather, who gave him his first guitar. Like many other southern
blacks, he eventually left the rural South for the northern cities.
He moved to Detroit in 1943, where he worked in auto and steel factories.
In his first year of recording, 1948, he had a hit with "Boogie
Chillen" and topped the charts again in 1951 with "I'm
In the Mood." From Detroit he went to Chicago, where he recorded
more hit songs. In 1970, he moved to California, where he hooked
up with young rock musicians and played blues for a new generation
of listeners. In 1990, Hooker won a Grammy award for "The Healer,"
a record that included guest musicians Carlos Santana, Keith Richards,
and Bonnie Raitt among others. He also recorded several times with
the Irish singer and songwriter Van Morrison. Hooker died in 2001.
Muddy Waters
The originator of modern electric blues, Muddy Waters was born
in Rolling Fork, Mississippi in 1915. He learned to play the guitar
while working as a tractor driver, began recording acoustic blues
in 1941, and moved to Chicago in 1943. By 1950 Muddy had put together
his archetypal blues band, featuring Little Walter Jacobs on amplified
harmonica and himself on electric guitar. Almost every Chicago blues
musician of note played in Muddy's band over the years, and many
of his tunes, such as "Hoochie Coochie Man" and "Mannish
Boy" are considered blues classics. He continued to give strong
performances on both vocals and guitar until his death in 1983.
Robert Johnson
The "King of the Delta Blues Singers," Robert Johnson
was also a master Delta blues guitarist. Born in Hazlehurst, Mississippi
in 1911, he spent much of his short career playing at plantation
dances and small bars in the Delta area of northwestern Mississippi.
Johnson's clever lyrics and deft guitar playing distinguish his
work. He died in 1938. Some people believe he was poisoned by an
angry lover, but the exact circumstances of his death are still
hazy. Johnson influenced many guitarists, including Elmore James
and Muddy Waters, who took the Delta "bottleneck" slide
style to the city and amplified it. Some of Johnson's songs, such
as "Crossroads" and "Love in Vain," were recorded
later by rock bands.
The King of the Blues: B. B. King
The
best known blues musician today is B. B. King, and this gentleman's
fame is well-deserved. Born in Indianola, Mississippi in 1925, he
earned the nickname "B. B." ("blues boy") while
playing on radio programs in Memphis, Tennessee, where, like many
other Mississippi Delta blacks, he moved during World War II. From
the 1940s through the 1960s, he played mostly in clubs in the South
that, due to segregation, had only black audiences. In 1948, he
had a hit record with "Three A.M. Blues" and toured steadily
thereafter. His fame spread as he played at blues festivals, concert
halls, universities, and on television shows across the country.
No other blues artist has worked harder than B. B. King in his many
years of playing over three hundred shows a year. By the late 1960s,
B. B. had perfected his famous guitar style of vibrating the fingers
of his left hand as he played and bending notes to achieve the blue
notes that are such an integral part of blues music. This singing
guitar sound, coupled with his expressive tenor voice, brought King
great success in 1969 with his recording of "The Thrill Is
Gone." The song broke through the limited sales of the blues
market to achieve mainstream success and brought B. B. a Grammy
award.
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I bought you a new car, and you said, "I want a Cadillac."
Bought you a ten-dollar dinner, and you said, "Thanks
for the snack."
I let you live in my penthouse, you said it was a shack.
I gave you seven children, and now you want to give 'em back.
How Blue Can You Get — B. B. King
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B. B.'s songs display a wide range of emotions, in addition to
the sadness so fundamental to blues music. In the lyrics above,
we hear his sense of humor in "How Blue Can You Get."
He combines humor with a keen understanding of human nature in "Everybody
Lies a Little Sometimes." King's long and distinguished career
includes many musical collaborations. Young rock musicians, in particular,
appreciate his contributions to their genre. In 1988 B.B. played
guitar and sang on the hit song "When Love Comes to Town"
by the Irish band U2. In 2001 he recorded an award-winning record
with Eric Clapton called "Riding With the King." King's
guitar work has had a strong influence on thousands of guitar soloists
and, to this day, he remains the blues' greatest ambassador.
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Some people never see their lies as lies,
They just see the truth, the truth in disguise
I've been told that lying is wrong,
It's alright with me if it saves your life or your home.
Everybody Lies a Little Sometimes — B. B.
King
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Kent S. Markle has been teaching ESL/EFL for 20 years and
playing the blues for 30 years. He also sings and writes songs.
Currently he plays electric bass in Buzz and the Soul Senders and
amplified harmonica for Leesa Bunts in Arizona (USA).
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